The Musical Melody in the Poetry of Muhammad Ridha Al-Hindi
(Aljinas music as a model)
Abstract
Aljinas is one of the verbal rhetoric arts that is characterized by its musical tone that comes from the element of repetition, which forms the basis of its compositional structure, leaving a mixed tonal bell with essential meanings, which leave its impact on the same recipient, as if he passes through several stages to reach the true meaning of speech, we find him delusional, and reconsider, Then he contemplates, and pays attention, then feels the beauty of words flanked by alliteration, and this is the basis and pillar of rhetoric. In drawing the attention of the recipient to this speech, the words caught the recipient who pauses to know its meaning. So how if the inner music of speech represented by alliteration merges with its outer music represented by meter and rhyme, and leaves us with melodies and rhythms that have a clear effect in drawing the attention of the recipient to that speech . The importance of this study lies in shedding light on an important aspect of the poetry of Muhammad Reda al-Hindi, by tracing the sources of the internal music in his poetry, specifically the internal music produced by the art of alliteration (Aljinas), as well as showing the extent of the ability of the poet Muhammad Rida al-Hindi to employ the art of alliteration in his poems, and then increasing the musical tone that comes from this art in the folds of his poems. One of the most important results in this study is that the poet did not adhere to the standards of traditional music, including the strictness of the rhyme, and the unity of mater only, but he moved from its usual form to a singing court overflowing with an internal tonal bell, and an external rhythm, affecting the hearts and minds of the recipients. He marries the external music represented by meter and rhyme, and the internal music created by the art of alliteration, between the texture of his poems, and its various types of perfect and imperfect; because its differ among its selves in the type of musical tone given to these poetic verses.
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